The voyage to ‘eternal silence’: Male heroism and the evasion of death in Tennyson’s ‘Ulysses’
Ulixes mosaic at the Bardo Museum in Tunis, Tunisia. 2nd century AD. Lily Searstone Tennyson’s nuanced reworking of Homeric epic in his …
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On ‘Bloom’ by Sarah Westcott
Daniel Bennett The poems in this luminous book, Bloom (Pavilion Press, 2021) are tight, fragmented things, varying in shape and typesetting, in a …
An excerpt from ‘Wendy Cope’ by Rory Waterman: on her ‘Saint Hilda of Whitby’
Rory Waterman writes: This is a slightly edited short excerpt from my recent book Wendy Cope (Liverpool University Press, 2021), reprinted here with thanks …
On ‘Corrigenda for Costafine Town’ by Jake Morris-Campbell
Richie McCaffery The first edition of Alasdair Gray’s debut collection of short stories (Unlikely Stories, Mostly) carries with it a little snippet …
On ‘Map of a Plantation’ by Jenny Mitchell
Daniel Bennett The title of Jenny Mitchell’s follow-up collection to 2019’s Her Lost Language begins with a gesture to objectivity. Map of …
A psycho-geographer slipping the coordinates of time: on Tim Cumming
Julian Stannard ‘You sit/down to put into words your reckoning.’ I don’t read Tim Cumming with any expectation of the anodyne. …
Handbrake turn on a hair-pin bend: Lavinia Greenlaw and poetic feat
This essay was originally published by Wild Court on 1st March 2016. Lavinia Greenlaw will be taking part in the latest online ‘Poetry And…’ …
Discovering George Mackay Brown
John Greening marks the centenary of the birth of George Mackay Brown (1921-1996), which falls this Sunday, 17th October. The June …
Poems of Community and Historical Memory: an interview with Ian Parks
Portrait of Ian Parks by Andrew Farmer Ian Parks was born in 1959 and is the author of eight collections of poems, …
An instinct for pace and balance: on Ruth Padel’s ‘Beethoven Variations’
John Greening Some composers keep themselves out of their music, but in Beethoven the life is always peeping through. It seems natural, …