On ‘Corrigenda for Costafine Town’ by Jake Morris-Campbell
Richie McCaffery The first edition of Alasdair Gray’s debut collection of short stories (Unlikely Stories, Mostly) carries with it a little snippet …
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An excerpt from ‘Wendy Cope’ by Rory Waterman: on her ‘Saint Hilda of Whitby’
Rory Waterman writes: This is a slightly edited short excerpt from my recent book Wendy Cope (Liverpool University Press, 2021), reprinted here with thanks …
On ‘Map of a Plantation’ by Jenny Mitchell
Daniel Bennett The title of Jenny Mitchell’s follow-up collection to 2019’s Her Lost Language begins with a gesture to objectivity. Map of …
A psycho-geographer slipping the coordinates of time: on Tim Cumming
Julian Stannard ‘You sit/down to put into words your reckoning.’ I don’t read Tim Cumming with any expectation of the anodyne. …
Handbrake turn on a hair-pin bend: Lavinia Greenlaw and poetic feat
This essay was originally published by Wild Court on 1st March 2016. Lavinia Greenlaw will be taking part in the latest online ‘Poetry And…’ …
Discovering George Mackay Brown
John Greening marks the centenary of the birth of George Mackay Brown (1921-1996), which falls this Sunday, 17th October. The June …
Poems of Community and Historical Memory: an interview with Ian Parks
Portrait of Ian Parks by Andrew Farmer Ian Parks was born in 1959 and is the author of eight collections of poems, …
An instinct for pace and balance: on Ruth Padel’s ‘Beethoven Variations’
John Greening Some composers keep themselves out of their music, but in Beethoven the life is always peeping through. It seems natural, …
A primer on the nature of hearing: on Seán Street’s ‘The Sound Recordist’
Kevin Gardner As Britain’s first professor of radio, Seán Street (emeritus professor at Bournemouth University) brings to the writing of poetry a …
‘Man of the region’: an appraisal of poet Will Burns
Will Burns in Wendover Woods, Buckinghamshire; photograph by Antonio Olmos Jake Morris-Campbell, April 2021 May 2020, the seventh week of lockdown …