‘Man of the region’: an appraisal of poet Will Burns
Will Burns in Wendover Woods, Buckinghamshire; photograph by Antonio Olmos Jake Morris-Campbell, April 2021 May 2020, the seventh week of lockdown …
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Fog Theory: lost in the white gaze
Alycia Pirmohamed “Fog is a cloud that touches the ground.” A metaphor for vanishing, for dissolving, for withholding, fog often finds …
Larkin Stateside: implicit dialogues between the poetries of Joshua Mehigan and Philip Larkin
Matthew Stewart From the perspective of English critics, poets and readers, it’s impossible to separate Philip Larkin’s qualities as a poet from his …
The Poem Not Taken: Robert Frost and the inaugural tradition that isn’t
Rick de Villiers The sun shines on nothing new, saith the Preacher (and Samuel Beckett after him). But what if, on 21 …
Fifty Forty: on the incomplete histories of Carcanet and the LRB
Kevin Gardner One of the most pleasurable of readerly experiences is the subversive frisson of snooping into the conversational intimacy of an …
On the poetry of George Kendrick
Matthew Stewart Let’s take a forgotten poet who went from publishing with Carcanet, garnering a PBS Recommendation and receiving excellent reviews in …
Ana Blandiana: Poet, Civic Figure, Woman
Photo: Miguel Ruiz Durán Andreea Iulia Scridon Though her name may only be familiar to relatively few readers globally, Romanian poet, …
‘Like walking in the rain’: César Vallejo, Carolyn Forché, and the problem of witness
César Vallejo in 1929; the cover of Carolyn Forché’s The Country Between Us (Harper & Row, 1982) Jonathan Hitchens The very …
The Haunted Forties: Wrey Gardiner and Poetry Quarterly
Mark Valentine On the trestle table beneath the balconies and chandeliers of the Winter Gardens in the old spa town there was a …
Why do we care: Romalyn Ante’s ‘Antiemetic for Homesickness’
Holly Loveday Romalyn Ante’s debut collection Antiemetic for Homesickness (Chatto & Windus, 2020) – flitting between clinical-white, squeaky hospital wards and the …