The Haunted Forties: Wrey Gardiner and Poetry Quarterly
Mark Valentine On the trestle table beneath the balconies and chandeliers of the Winter Gardens in the old spa town there was a …
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Why do we care: Romalyn Ante’s ‘Antiemetic for Homesickness’
Holly Loveday Romalyn Ante’s debut collection Antiemetic for Homesickness (Chatto & Windus, 2020) – flitting between clinical-white, squeaky hospital wards and the …
Lunch with Frederick Seidel at Cafe Lux
Miguel Cullen He replied to my email saying: “I would prefer to meet you in Buenos Aires,” where I was then staying. …
On ‘Heredity/ASTYNOME’ by Naush Sabah
Daniel Bennett If poetry ever had ‘must have’ purchases, then Naush Sabah’s debut release from Broken Sleep Books proved to be one …
Conceptualising the ‘good death’: Mechanisms of memory & mourning in Tennyson’s ‘In Memoriam’
Alfred, Lord Tennyson by Samuel Laurence, and Sir Edward Burne-Jones oil on canvas, circa 1840 © National Portrait Gallery, London Lily Searstone …
On ‘Tiger Girl’ by Pascale Petit
King’s College London’s popular ‘Poetry And..’ series, chaired by Professor of Poetry Ruth Padel, returns on 30th November at 5pm with ‘Poetry And… The …
On the poetry of Douglas Crase
Declan Ryan “A shipwreck becomes a way of seeing things”, Douglas Crase writes in ‘Saggaponnack’, and a sense of the dredging up …
On ‘Dressing for the Afterlife’ by Maria Taylor
Matthew Stewart In her second full collection, Dressing for the Afterlife (Nine Arches, 2020), Maria Taylor makes a huge step forward from …
‘No right or wrong, only how I got here’: The Early Poetry of Richie McCaffery
Photo image: © Gerry Cambridge Jonathan Davidson In his second pamphlet, Ballast Flint (Small Press Publishing for Cromarty Arts Trust, 2013, with …
On ‘Belladonna’ by Suna Afshan
Daniel Bennett Both grounded and detached, playing with a sense of narrative but also revelling in the rarefied brightness of the image, …