More Memorable than Sweetness: on Li-Young Lee’s poem ‘Always a Rose’
Zakia Carpenter-Hall A poet must perpetually ask the question, explicitly or implicitly, ‘What is it?’ What are the plants, animals, objects, etc. …
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‘All the Roads that Lead to Eminescu’: on the great Romanian poet
Andreea Iulia Scridon The name Mihai Eminescu isn’t likely to ring an immediate bell for Anglophone readers, but would certainly deserve to, …
Pixel Perfect: Stephen Sexton’s ‘If All the World and Love Were Young’
Chris Larkin When I was seven or eight years old, I was desperate to own either a Sega Mega Drive or a …
Thom Gunn’s carnival: a radical inside job
Thom Gunn, 1986. Photograph by LaVerne Harrell Clark. Courtesy of The University of Arizona Poetry Center. Copyright Arizona Board of Regents Andre …
‘Time a river we swim in freestyle’: Lawrence Ferlinghetti’s poetry & prose
Katie Da Cunha Lewin Throughout Lawrence Ferlinghetti’s Poetry as Insurgent Art, his manifesto on poetry written in aphorisms published in 2007, he …
Essential fragments: on the poetry of David Harsent
Below is an essay by Lavinia Singer from A Working Model of the Fall from Grace: Essays & Poems for David Harsent, recently published …
Try To Be Better: an engagement with the creative practice of W. S. Graham
This week sees the launch of Try To Be Better, a multi-disciplinary engagement with the idiosyncratic creative practice of the late poet W. S. …
Marratide: William Martin’s Chorography of County Durham
‘Cuthbert’s brief dream / And high resting place / Here before Durham’ (s.16): Warden Law by William Martin, part of ‘Wiramutha Helix’ …
‘The Poet As Witness’: CD Wright & The Art of Curating the Past
Paul Stephenson How do we look at a difficult past? Carolyn Forché has put forward the notion of ‘poetry of witness’ for a …
Making the Cut: John Greening on editing poems
John Greening I often quote Basil Bunting’s advice to young poets, that you should ‘cut out every word you dare’. Bunting certainly practised …