On ‘Bloom’ by Sarah Westcott
Daniel Bennett The poems in this luminous book, Bloom (Pavilion Press, 2021) are tight, fragmented things, varying in shape and typesetting, in a …
CategoryReviews
On ‘Corrigenda for Costafine Town’ by Jake Morris-Campbell
Richie McCaffery The first edition of Alasdair Gray’s debut collection of short stories (Unlikely Stories, Mostly) carries with it a little snippet …
On ‘Map of a Plantation’ by Jenny Mitchell
Daniel Bennett The title of Jenny Mitchell’s follow-up collection to 2019’s Her Lost Language begins with a gesture to objectivity. Map of …
A psycho-geographer slipping the coordinates of time: on Tim Cumming
Julian Stannard ‘You sit/down to put into words your reckoning.’ I don’t read Tim Cumming with any expectation of the anodyne. …
An instinct for pace and balance: on Ruth Padel’s ‘Beethoven Variations’
John Greening Some composers keep themselves out of their music, but in Beethoven the life is always peeping through. It seems natural, …
A primer on the nature of hearing: on Seán Street’s ‘The Sound Recordist’
Kevin Gardner As Britain’s first professor of radio, Seán Street (emeritus professor at Bournemouth University) brings to the writing of poetry a …
‘Man of the region’: an appraisal of poet Will Burns
Will Burns in Wendover Woods, Buckinghamshire; photograph by Antonio Olmos Jake Morris-Campbell, April 2021 May 2020, the seventh week of lockdown …
On the poetry of George Kendrick
Matthew Stewart Let’s take a forgotten poet who went from publishing with Carcanet, garnering a PBS Recommendation and receiving excellent reviews in …
Why do we care: Romalyn Ante’s ‘Antiemetic for Homesickness’
Holly Loveday Romalyn Ante’s debut collection Antiemetic for Homesickness (Chatto & Windus, 2020) – flitting between clinical-white, squeaky hospital wards and the …
On ‘Heredity/ASTYNOME’ by Naush Sabah
Daniel Bennett If poetry ever had ‘must have’ purchases, then Naush Sabah’s debut release from Broken Sleep Books proved to be one …