On ‘Belladonna’ by Suna Afshan
Daniel Bennett Both grounded and detached, playing with a sense of narrative but also revelling in the rarefied brightness of the image, …
CategoryReviews
On Natalie Diaz’s ‘Postcolonial Love Poem’
Holly Loveday Ultimately, ‘you cannot drink poetry’. Diaz precedes this statement in her self-aware second collection, Postcolonial Love Poem, with the prayer …
‘A parent’s age’: on the poetry of Rory Waterman
Matthew Stewart ‘Belonging’ and ‘estrangement’ are key terms when getting to grips with Rory Waterman’s poetry. They played an explicitly pivotal role …
On Martin Booth’s ‘The Knotting Poems’
The main part of Knotting in 1884. Courtesy of the Bedfordshire County Archives. John Greening It’s unlikely that many readers will remember …
‘Mandrake and Scammony’: on the poems of Dorothy Molloy
G.E. Stevens No more wavering… Burn through the parochial states of mind. Cut and burn away to the truth. This is Dorothy …
Pixel Perfect: Stephen Sexton’s ‘If All the World and Love Were Young’
Chris Larkin When I was seven or eight years old, I was desperate to own either a Sega Mega Drive or a …
‘Time a river we swim in freestyle’: Lawrence Ferlinghetti’s poetry & prose
Katie Da Cunha Lewin Throughout Lawrence Ferlinghetti’s Poetry as Insurgent Art, his manifesto on poetry written in aphorisms published in 2007, he …
Breaking the Unthinkable Silence: on Michael Hofmann’s ‘One Lark, One Horse’
(photograph by Jemimah Kuhfeld: www.jemimahkuhfeld.co.uk) André Naffis-Sahely Poetry critics, just like the rest of us, are largely ungenerous to the middle-aged. More often …
The World of the Half-Seen: on Ruth Padel’s ‘Emerald’ and writing loss
Nadia Saward Emerald, Ruth Padel’s new collection (Chatto & Windus, 2018), is primarily an elegy for her mother who passed away in 2017 …
‘Back into the socket’: William Fuller’s Playtime
Photo credit: Anna Fuller They are tempted to note patterns in the scene below, but its aspects are so various and the names to …