Reviews
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On ‘Summer/Break’ by Richie McCaffery
Declan Ryan Richie McCaffery’s third collection, Summer/Break (Shoestring, 2022), is one of quiet peril. Everywhere one looks there is a quest, however forlorn, for salvation, a desperation […]
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On ‘Central Air’ by George Bilgere
Neil Elder In America, George Bilgere is widely published and revered, winner of a Pushcart Prize and a regular in many of the best journals. How his work […]
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On ‘Hollow Palaces: An Anthology of Modern Country House Poems’
Rishi Dastidar An odd place to start but bear with. The Fence, a new-ish, waggish magazine (think Private Eye meets Popbitch) shared the following snippet in a […]
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On ‘The Sleep Road’ by Stewart Sanderson
Matthew Stewart In his first full collection, The Sleep Road (Tapsalterie, 2022), Stewart Sanderson addresses several issues that are currently popular among many poets of his generation: […]
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A statement for the importance of poems in a life: on Jonathan Davidson’s ‘A Commonplace’
Daniel Bennett A sense of place abounds in Jonathan Davidson’s A Commonplace (Smith-Doorstep, 2020), and while that might seem natural from the title, the ‘place’ here derives […]
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Three pamphlets reviewed by Richie McCaffery
Richie McCaffery It is apt that John Greening recently edited the Carcanet selection of Iain Crichton Smith’s poems. There’s an anecdote that does the rounds in Scottish […]
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Pushing her own boundaries: on Alison Brackenbury’s ‘Thorpeness’
Matthew Stewart Alison Brackenbury’s new collection, Thorpeness (Carcanet Press, 2022), provides a perfect rebuttal to Larkin’s notorious disavowal of a poet’s obligation to develop. This might […]
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On ‘Rite of Passage’ by Dom Bury & ‘What Fire’ by Alice Miller
Charlie Baylis Environmental poetry has made a comeback, with terror-infused natural disaster coverage and polarising climate protests riding high in the news agenda, coupled with young, idealistic […]
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‘Marginalised and Pigeonholed’: a re-evaluation of Evangeline Paterson
Matthew Stewart urges the re-evaluation of Evangeline Paterson as a major poet of her generation Blurbs tend to get a justified bashing these days for their breathless […]
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On ‘Bloom’ by Sarah Westcott
Daniel Bennett The poems in this luminous book, Bloom (Pavilion Press, 2021) are tight, fragmented things, varying in shape and typesetting, in a style both abstract and committed: […]
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On ‘Corrigenda for Costafine Town’ by Jake Morris-Campbell
Richie McCaffery The first edition of Alasdair Gray’s debut collection of short stories (Unlikely Stories, Mostly) carries with it a little snippet of paper saying ‘Erratum: This […]
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On ‘Map of a Plantation’ by Jenny Mitchell
Daniel Bennett The title of Jenny Mitchell’s follow-up collection to 2019’s Her Lost Language begins with a gesture to objectivity. Map of a Plantation (Indigo Dreams, 2021) […]
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A psycho-geographer slipping the coordinates of time: on Tim Cumming
Julian Stannard ‘You sit/down to put into words your reckoning.’ I don’t read Tim Cumming with any expectation of the anodyne. The title of his latest […]
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An instinct for pace and balance: on Ruth Padel’s ‘Beethoven Variations’
John Greening Some composers keep themselves out of their music, but in Beethoven the life is always peeping through. It seems natural, then, for Ruth Padel to […]
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A primer on the nature of hearing: on Seán Street’s ‘The Sound Recordist’
Kevin Gardner As Britain’s first professor of radio, Seán Street (emeritus professor at Bournemouth University) brings to the writing of poetry a unique perspective on sound. The […]
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‘Man of the region’: an appraisal of poet Will Burns
Will Burns in Wendover Woods, Buckinghamshire; photograph by Antonio Olmos Jake Morris-Campbell, April 2021 May 2020, the seventh week of lockdown measures. It’s about 9.30 in the morning and I’m […]
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On the poetry of George Kendrick
Matthew Stewart Let’s take a forgotten poet who went from publishing with Carcanet, garnering a PBS Recommendation and receiving excellent reviews in the broadsheets in the process, […]
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Why do we care: Romalyn Ante’s ‘Antiemetic for Homesickness’
Holly Loveday Romalyn Ante’s debut collection Antiemetic for Homesickness (Chatto & Windus, 2020) – flitting between clinical-white, squeaky hospital wards and the tropical abundance of the Philippines […]
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On ‘Heredity/ASTYNOME’ by Naush Sabah
Daniel Bennett If poetry ever had ‘must have’ purchases, then Naush Sabah’s debut release from Broken Sleep Books proved to be one of these over the summer. […]
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On ‘Tiger Girl’ by Pascale Petit
King’s College London’s popular ‘Poetry And..’ series, chaired by Professor of Poetry Ruth Padel, returns on 30th November at 5pm with ‘Poetry And… The Wild in a Time of […]