Reading as a Writer: Geography III as Transitional Object
Dominic McLoughlin: When I was in my twenties I took a job as a bookseller at Books & Co on Madison Avenue at 74th Street, …
Caught in the Resin – an introduction to Sarah Howe
Victoria Kennefick: The experience of reading Sarah Howe’s début poetry collection, Loop of Jade, is akin to that of the speaker in ‘Mother’s Jewellery Box,’ …
‘In every hundred and wapentake’ – an introduction to James Brookes
Robert Selby: ‘The loss of imperial power,’ said Seamus Heaney in a Berkeley lecture of 1976, ‘the failure of economic nerve, the diminished influence of …
A definite thread spun: temporal tantalisation in Anne Carson’s Autobiography of Red
Ralf Webb: In the faculty lounge of the University of Buenos Aires, Geryon— the protagonist of Anne Carson’s Autobiography of Red— asks a yellow-bearded professor: …
‘It is a wild fucking Kingdom’ – Toby Martinez de las Rivas’s Terror
Rose McLaren: Which is more complicated, life or poetry? Whatever the case, they are seldom complicated in the same way. Yet Toby Martinez de las …
Christel Wiinblad: My little brother – a morning in heaven, at least in green
Malene Engelund: It troubles me that things must no longer mean anything. Must no longer be real, and that we can no longer be accessible …
Inside and Out – The force of nature in poems by Ted Hughes (’Wind’); Seamus Heaney (‘Storm on the Island); Ian Hamilton (‘The Storm’) & Brian Jones (‘The Measure of the Need’).
Paul McLoughlin: Ted Hughes’s poem ‘Wind’ plays (its exaggeration is wilful) on the familiar mismatch between human consciousness and unthinking nature. It is an obsessive …