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‘Mephitine’: a poem by Sarah Doyle
Mephitine You will know me before you see me, will sense me from twenty paces. I am all sour milk top-notes, that pissy catch in the back of your throat while you try, politely, not to gag. The never-fresh, wearing a coat ripe with my own history, I assail your…
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Two poems by Jennifer Lee Tsai
I remember you were the first man who taught me about death. I was five years old; we were walking across the fields to my school. Do you remember, Ba? It was an autumn morning, I think. The trees dazzled us with their electricity. Po Po had died in June, on…
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‘No right or wrong, only how I got here’: The Early Poetry of Richie McCaffery
Photo image: © Gerry Cambridge Jonathan Davidson In his second pamphlet, Ballast Flint (Small Press Publishing for Cromarty Arts Trust, 2013, with artwork by Hannah Fry), and in his most recent, First Hare (Mariscat Press, 2020), Richie McCaffery mentions the idea of showing one’s working-out in an exam. This display of process…
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Two translations by James Owens
The Death of Dido —Aeneid IV, 692-705 She searched the sky for light, and moaned to find it. Then mighty Juno, for pity on long pain and a hard-dying soul, sent Iris to unbind her from the struggle in her knotted limbs, insane with grief, burning with grief before her…
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Two poems by Oliver Comins
Golf Behind Trees An elegant course is exposed by newly opened air. There used to be a thick hedge, armed with trees. We would hear the thwack of their swings and hits followed by good silence or disappointing scutter. In days gone by, for all we could see, those golfers might…
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On ‘Belladonna’ by Suna Afshan
Daniel Bennett Both grounded and detached, playing with a sense of narrative but also revelling in the rarefied brightness of the image, Suna Afshan’s debut chapbook Belladonna, from Broken Sleep Books, is an experience notable for its intensity and a sense of writing that comes from beyond time. A single poem…
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‘On the margin’ – a poem by Stephen Miller
On the margin On the margin of existence on the deep-sea floor between chimneys of boiling water and venting carbon where no life should sensibly occur shrimp-like creatures cleave to life indeed, do flourish on the edge of tolerance in a sightless world of simple purpose Here they say all beginnings…
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Three poems by Hannah Lowe
image © Dirk Skiba Sonnet for the British-Born And suddenly, new language: ‘British-Born’, for kids who grew up on terraces in Leeds or tower blocks in Bow, and at weekends tied their bootlaces for footie on the lawn and went to college to study Sports or Business or Car Mechanics and…
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‘Arachnid: Flight After Deluge’ – a poem by Naima Rashid
Arachnid: Flight After Deluge The waters have risen; the signal has sounded in our skeletons of minimal composition. An instinct of age-old urgency has stirred our colonies into motion. Time has come for the next rung of survival, quest for the next habitable frontier – former field, farm, meadow, now stubble,…
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‘In an Orchard’ – a poem by William Wootten
In an Orchard Shall we drink a while and think of Eden, As in an orchard filled with waspy windfalls Children shout and run? Late summer sun Is angled close to term time, and the walls’ Strong yellow means the days are not so long. Something will go wrong, Slow as…
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On Natalie Diaz’s ‘Postcolonial Love Poem’
Holly Loveday Ultimately, ‘you cannot drink poetry’. Diaz precedes this statement in her self-aware second collection, Postcolonial Love Poem, with the prayer of an Elder Mojave woman given at the site of a pipeline protest. The Elder’s words are not a substitute for water, but their cognizance of the relational necessity between…
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The Lustre in Dullness: Philip Larkin, Sinéad Morrissey and Balance
© National Portrait Gallery, London Nicola Healey In Sinéad Morrissey’s collection On Balance (2017), Morrissey selectively quotes from Larkin’s ‘Born Yesterday’ (1954) as the epigraph to her titular poem, ‘On Balance’.[1] She decontextualises his lines, however, to bolster her poem’s feminist drive, distorting Larkin’s poem and misleading the reader from the outset.…
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Four poems by Jake Morris-Campbell
The Village that Vanished All the bitter day waves smash into Smugglers’ Cove and Byer’s Hole. The sky has failed to lift and a shipwright’s hoolie blows doon King Street. Sometime soon we’ll re-pack the van, lock the door, gan from here. Away from foghorn bass and herring-gull staccato we’ll wake…
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KCL student poets: Holly Loveday, Viola Ugolini, Richelle Sushil
Holly Loveday Qikiqtaaluk or, Baffin Island I move beyond the fact of you, but lay atop my suitcase on a 5th avenue sidewalk holding everything to do with you and the ground continues to rock left then right. My sodden back sore against the canvas cloth, shirt flaps out from my skin…
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KCL student poets: Teresa Mignolli & Emily Blundell Owers
Teresa Mignolli Airports and Supermarkets i At airports passengers meet and some fall in love and some fall ill. ii I met you at the supermarket and knocked over your basket. I said I’m sorry, didn’t mean to break your eggs — you invited me for dinner. iii At airports lovers…
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KCL student poets: Pietro Bordi, Sagal Farah, Nikita Biswal
Pietro Bordi Morning Sailing Dawn comes, casts a light, disappears in overcast. On your hand I count the seconds it reveals itself. We climbed for this: brittle limestone and bright-green caper leaves gave way at last, and with your chanting friends with sour breaths careening off in front of us, this…
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KCL student poets: Claudia Macey-Dare, Lilly Zhuang, Megan Williams
Claudia Macey-Dare The Northern line at 9:52 I wanted you to write to me, while I waited for the 9:30 train. No 9:44, not Euston, but Cambridge, came back, Euston Square in March, now a daily affair. Lying there in Archway, Archway, lying there. Heard a man with his beat up…
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KCL student poets: Isobel Lewis-Jarvis & Rabia Kapoor
Isobel Lewis-Jarvis Language is a bowl of eel noodle soup Eyes squint at the menu, sprawled with inky strokes of fish hooks; I try to negotiate the stencilled shapes the way I sculpted my name in hieroglyphs as a child or tried to clinch water in a sieve, and I wish…
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KCL student poets: Florence Sandelson, Leyla Hasso, Helen Soulsby
Florence Sandelson Desert Island Once my grandfather was on Desert Island Discs. Your voice came out of the radio dad had dusted off and propped up on the kitchen table and you told everyone your tuppence on survival. Interviewer loved it when you bought up Beethoven. Symphony to remind you that…
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KCL student poets: Maleeha Mir, Maria Orlando, Amy Hill
Maleeha Mir Southend on Sea, 2018 It’s hard to believe they’d be happy to sit there on plastic red chairs, ready to be thrown away by sunset. Happy to sit on the cobbled, shifting sand where they could watch us run and scream at each other (in civil tones, of course)…