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‘Music of the Republic’: a poem by Ruth Padel
Music of the Republic You were with him in his final hours… Carolyn Forché, ‘Last Bridge’ Plato put a spell on you from the beginning. There were other stars buzzing about your brain which will soon be donated to science but he was the one who carried you over the…
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‘Ablutions’: a poem by Nadia Saward
Ablutions I sat with her body until morning. The blueblack cold mimicked her blueblack skin. I chafed her feet with lemon-scented lotion. The corridors were quiet, a stillness only found early on Sunday mornings, holy and soft. The women will come, their white headscarves, and we will wash her body. Earlier,…
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‘Dear Sydney Graham’: a poem by Daniel Hinds
Dear Sydney Graham ‘Under your blue hat.’ – W. S. Graham, ‘Dear Bryan Wynter’ I My feet wear odd socks today, one of yours, One of mine, see how well they go together. Apologies, I’ve come to your funeral late, Dressed oddly and for a night on the town. …
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‘A March Nest’: a poem by Gregory Leadbetter
A March Nest A tilt of the light and I wake with a twig in my mouth, building between the shoots and reeds I’d laid in the quick of instinct, at work between the light. Last night I met my mate, who laid her shape to mine and gave my breath…
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‘Epithalamion: A Wicklow Triptych’ by Tarn MacArthur
I. Avondale House I wanted to bring you to a place of meaning, meaning, I wanted to bring you somewhere that meant something to me so it could mean something to you. So there we were, halfway to the estate of someone whose name meant nothing to both of us, where…
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Three poems by Clare Crossman
Photo by Gary Butterfield The below poems are taken from Clare’s new collection The Mulberry Tree, forthcoming from Shoestring Press in 2021. The Whispering Land Out on the fell in the wind-staunch houses, someone will come in from the weather, take off the bluster of their coat, knock…
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On Martin Booth’s ‘The Knotting Poems’
The main part of Knotting in 1884. Courtesy of the Bedfordshire County Archives. John Greening It’s unlikely that many readers will remember the original elegant editions of these two collections by Martin Booth (1944-2004). The Knotting Sequence (1977) and The Cnot Dialogues (1981) appeared from The Elizabeth Press in the USA and,…
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Two poems by Kathryn Simmonds
Photo by Marten Bjork Premier Inn You, who have been sought in all the lonely places, (should my mouth be berries and ash) will you come to this locked room? Will you come in dimmed-down dark, a purple sash across the bed? (Should I find myself a cell, a heath instead.)…
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Two poems by Martyn Crucefix
Enviousness You’ve fought this for so long but comes the time you understand you are second rate no more that brightness with which you shone now worn thin and opaque as milk or rather—how it goes—perhaps it never glowed so brightly that boldness with which you addressed the world has paled…
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Devilled Almonds and Doomed Boys: some avant-garde poetry of 1920
Portrait of Edith Sitwell by Roger Fry, 1915 Mark Valentine The copy of The Wooden Pegasus (1920) by Edith Sitwell that I have is discarded from Sheffield City Library. There is a typed sticker on the front free endpaper saying she is the daughter of Sir George Reresby Sitwell of (nearby) Renishaw…
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‘Pigeons’: a poem by Sarah Westcott
Pigeons ‘Men still live who, in their youth, remember pigeons; trees still live who, in their youth, were shaken by a living wind. But a few decades hence only the oldest oaks will remember, and at long last only the hills will know.’ —Aldo Leopold, On a Monument to the Pigeon,…
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Two poems by Jenny Pagdin
Noah and the catkins I was sickening for psychosis, more than sickening and you were less than two, just starting to talk and I made a game for you as we walked the woodland path, putting all the catkins into houses under leaves. You tottered about, repeating ’pillar, home. Sometimes that…
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‘But freedom is not so exciting’: Louis MacNeice’s Autumn Journal
Louis MacNeice by Howard Coster, nitrate negative, 1942. NPG x1624. © National Portrait Gallery, London. (CC BY-NC-ND 3.0) Jonathan Hitchens ‘Oppression and war’, writes the philosopher Alain Badiou in his essay ‘Poetry and Communism’, ‘are also the revelation of the fact that men must guard the riches of life’. What should we…
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Three poems by Richie McCaffery
© Gerry Cambridge Dead man’s beer They were bundled in a bag for life in the garage, thirty yellow-black tins of Boddingtons like a nest of wasps, their presence stinging his widow. I got the job of retrieving and drinking them. It took me a week to work through the lot…
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‘Grief is like a miracle’: a poem by Helen Calcutt
Grief is like a miracle like opening your mouth for water, and finding rain. You stand for days outside the body of a silent church. Snow touches the stillness of the windows and you long for their acceptance, a few tears. You tell yourself the door isn’t closed: it’s open and…
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‘Flyleaf, Tractatus’: a poem by Davina Allison
Flyleaf, Tractatus I. A flock of birds down where it’s still, where, each morning, fishermen throw their nets into the river, and they flock in the wide fields. The sky is clearing. A rising wind. II. And downriver down past the birch and the oak trees marked by tides and…
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Remembering Alexander Hutchison (1943-2015)
Richie McCaffery I told him (hoping to impress him) that I wanted to write an article on his poetry. He rolled his eyes and let out a half-hearted ‘Whoopee’… We both laughed, although I was a little miffed, and then forgot all about it. This was sometime in 2013, I was doing…
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Two poems by Sarah Fletcher
The shouts Somewhere, of course, someone is dancing. No, no; not us. Door handles bark and women seem Like babies. Moon. We hopscotch through Prognosticating streetlights, light in their pockets, Drunk and sad. The shouts Prism into snakes of light and snakes On snakes and light again: one day I’ll kiss…
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The Importance of Subjectivity in Ekphrastic Poems by Auden and Plath
Pieter Brueghel, Landscape with the Fall of Icarus, c.1560 Rachel Carney What happens when you are asked to review a book or a painting? You will undoubtedly attempt some kind of objective analysis but, ultimately, your review will be subjective, influenced by your own ideas, values and experiences, perhaps even the mood…
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Three poems by Matthew Stewart
Happy Birthday …You clear them away, usher in a future not featuring you. Michael Laskey, ‘Birthday Cards’ While hunting the posh cutlery for my cousin’s annual visit, I found them stowed in your sideboard, opened one to declarations of love next to a wobbly heart drawn by my primary-school hand.…