Gabriela Sambuccetti
MA in Modern Languages, Literature and Culture, Arts & Humanities
A Migrant in a Piece of Paper
A migrant could be someone who bought a plane ticket to London, and talked with customer service and customs at the airport, and
filled a pile of papers, and got into the plane, and travelled some hours in an aisle, and paid extra for taking their cats with them, and
listened to the BBC player while flying for the first time, and suddenly arrived at Heathrow, and
got lost, and heard the expression ‘whoa whoa whoa’, and was mistreated by another migrant at Costa,
and was insulted by right wing politicians, and was utilised by some activists who couldn’t care less, and was mentioned in the news once and again, being famous but anonymous, and
who started a free language course, and they met other migrants there but that ‘condition’ didn’t make them automatically alike or friends, and instead, they made friends in other place without forcing it and they were actually the real deal, and
they went to the pub and got drunk to forget who they are, and the next morning felt a little bit more international, and
they started a degree in English and some teachers were able to talk to them every day and help, while others didn’t want to be seen close to them, and colleges were younger, and
the restraint in the uses of the language creates an open door of the path to the soul, and
they looked great as my migrant-friend during a party, but then they were not friends anymore, and
they studied per many hours and years, but yet, they don’t reach the level of others, and sometimes they do, but as there are no precedents, it is hard to open things up in institutions, and even with a first class honours they can’t fit, and even at that level they will be told that their level of English is awful, and they will be left in the middle of nowhere like babies, and
a migrant is someone who can’t even write using Iambic pentameter, and who can’t even perform as a slang poetry champion, and
who is underrated and a piece of cake which doesn’t combine with the rest of the food neither, and if they don’t want to work with their native cultures in order to serve the new country, they are not worthy, and they can’t go back because they are now hybrids, and they can’t stay because they are not equals, and their luck depends upon people, and gender issues affect migrants’ minorities as well and hit them, and
sometimes they are able to afford expensive things or achieve great things, but they will always be migrants and migrants need to suffer all the time, and
we are not supposed to be poets, poets are the Crème de la crème, and we are almost dead because we don’t have a real voice, and being a poet is being nothing, and being a poet is being everything, and
our bodies will be throwed in a grave of some foreign land, and the mourners will cry at another grave in front of ours, and two or three friends will grieve us but from their homes, and they will think about us and struggle to overcome our disappearance, and
they will realise that we changed them and they are now a better version of themselves, and our soul will become one with their soil, and by the end we will be dust, soil, and
a mythical piece of blood.
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[…] ‘A Migrant in a Piece of Paper’ can be found at https://review.gale.com/2022/02/01/tracing-the-legacy-of-william-blake/. […]